OFFICE KILLER: Dorine is a quiet, hardworking social outcast who has endured years of abuse as the office doormat. Then one day, this mild-mannered paper pusher accidentally electrocutes one particularly obnoxious coworker, completely short-circuiting her own already unstable sanity. From that moment on, Dorine comes to believe that any office mate can be her best friend--once they're dead. RITUAL: Dr. Alice Dodgson is an oncologist whose experiments with an unapproved drug have just cost a patient his life. Summoned to Jamaica by an affluent American, Dr. Dodgson is assigned the duty of caring for his cancer-stricken brother, Wesley. Though Dr. Dodgson at first dismisses the local tales of zombies and possession, her growing feelings for her patient soon bring her to understand the powerful curse of a local witch doctor. MOTHER'S BOYS: Jude Madigan abandons her husband Robert and her three sons without any explanation. Three years later Jude inexplicably returns to reunite her family. However Robert and his new lover Callie see Jude for the true psychopath she is and try their best to protect their sons. Jude embarks on a non stop stalking and harassment campaign against the family, and even seduces her eldest son Kess into committing her acts of violence. THE NAMELESS: The mutilated body of a six year old girl—identified as Angela, the missing daughter of Claudia—is found in a water hole. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be Angela, asking for her mother to come find her before 'they' kill her. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts. LOADED: For one weekend at a mysterious house in the country, seven free-spirited young adults gather to make their own low-budget horror movie. But when a wild night of experimentation pushes passion to the extremes, they'll discover that friendship, seduction, and jealousy can be a very dangerous combination. THE FRELECTING SKIN: A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her. He must deal with an abusive mother, a father with a charge of molestation, a band of youths creating havoc, and an unforgiving environment in general.